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Download A History of American Literature: 1950 to the Present by Linda Wagner?Martin(auth.), Alfred Bendixen, Richard PDF

By Linda Wagner?Martin(auth.), Alfred Bendixen, Richard Gray(eds.)

  • The heritage of yankee Literature from 1950 to the current offers a accomplished research of the wide variety of literary works that extends into the twenty first century
  • Covers drama, poetry, fiction, non-fiction, memoirs, technological know-how fiction, and detective novels
  • Features dialogue of yank works in the context of such 21st-century concerns as globalization, medication, gender, schooling, and different topics

Content:
Chapter 1 finding modern Literature (pages 1–45):
Chapter 2 The Sixties and the prerequisites of switch (pages 47–78):
Chapter three Conventions and Eruptions (pages 79–138):
Chapter four New a long time and previous (pages 139–173):
Chapter five The Nineteen Eighties, Ethnicity and alter (pages 175–224):
Chapter 6 The Nineteen Nineties and the Sexual (pages 225–276):
Chapter 7 The Twenty?First Century (pages 277–351):

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Extra info for A History of American Literature: 1950 to the Present

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In structure the book is a kind of quest story, though episodes are more chaotic than straightforward; the work was often criticized for its explicit sex scenes. Its acceptance signals a clear change from the criticism that had, in effect, censured such descriptions in the Capote, Vidal, and Baldwin novels. C. The Novel, Jewish and Southern To return to the observers of the literary scene is to continue the commentary on what was swiftly becoming the most visible – and, many would say, the most significant – of genres in the United States.

The range of serious theater was impressive. T. S. Eliot, like established playwright Lillian Hellman, had several New York successes (The Cocktail Party, 1950; The Confidential Clerk, 1953; The Elder Statesman, 1958). The last plays of both Robert Anderson (Tea and Sympathy, 1953) and Clifford Odets (The Country Girl, 1950) were well received. Eugene O’Neill, who had earlier won four Pulitzer 26 Locating Contemporary Literature Prizes, was represented by his long-awaited Long Day’s Journey into Night (written in 1940 but not produced until 1956) and both A Moon for the Misbegotten (1957) and A Touch of the Poet (1958).

Here a writer befriended a more famous Jewish novelist Locating Contemporary Literature 41 and studied that writer’s alleged affair with a young woman (Zuckerman identified her as Anne Frank); in 1981, Zuckerman Unbound focused on the notoriety of Roth’s 1969 novel Portnoy’s Complaint. In 1983 Zuckerman appeared again in Roth’s The Anatomy Lesson and in 1985, all three of these novels, with an epilogue, were published as Zuckerman Bound. Roth would produce other sequence fictions, but none so captivated his readers.

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